Introduction to series “Super ‘70s and ‘80s.”
Introduction to subseries “Super Friends” (including list of interviewees).
How did you get the job on Super Friends?
There was a fellow named the “Voicecaster.” I worked with him out at North American Aviation. They had a television division. This was long before we put a man on the moon! [In fact] I think a bunch of us did a great deal to delay the program, but not deliberately. He said they’re looking for a fellow to replace Ted Knight who’d gone on to bigger and better pay. I met Wally Burr and he said “Make it large.” I could do that and I got the job. I did it in as an exaggerated version of Stan Freberg’s “The March of Time.”
What was your background before that?
I worked in theatre in New York. I worked with Helen Hayes and Paul Robeson. I did Cyrano de Bergerac. As I knew then and I certainly know now, I was one of the lucky ones.
Are you from New York?
I’m a Californian but was theatre-struck as a kid. I worked at a couple stock companies. They did a different play every week. This was 1928 and I was 11 years old.
Were you familiar with the Super Friends characters before you got the job?
Not very much. I knew who they were as comic strip characters because I had small sons.
Do you remember when you started?
I do not. Did [voice director] Wally [Burr] know?
I think you started in 1977. Were you with the show till it was over?
Yes. It was a delight to work at Hanna-Barbera.
What challenges were involved in recording SF?
(laughs) Wally Burr! I’m sure at least Michael Bell and at least one or two others mentioned this to you. Wally loved to read every line—every line. It made some more angry than others. (laughs) We’d say “If you really want someone else to play this part, why don’t you trust them a little?” (laughs) Wally said yes [he did trust us]. But it meant the director was being extra creative.
And you’re still friends?
Did you do other roles besides the narrator?
I did and I did other cartoons as well and I’d never done cartoons. It was a group of younger people. I always sounded like me.
With the opening of The World’s Greatest Super Friends, you start to pronounce it “See-YOO-per Friends”—how did that come about?
(laughs) By listening to Ronald Colman and others. I’d been told in high school that my speech was terrible. That’s when I stopped saying “super” and started with “see-YOO-per.”
Do you still remember the words to the opening of Super Friends?
All I remember is the panic that was inherent in the work of the narrator. It was always like a Bill Conrad panic. Meanwhile, back at the hall…what was it?
Hall of Justice.
Of course. Hall of Justice.
Of the episodes you were on, do you have a favorite?
At the moment I don’t. I remember with more clarity the people I worked with.
How much time, if any, did you spend with the other voice actors when you weren’t working?
I used to see Danny Dark at other recording sessions. I used to see Michael Bell from time to time. Socially, no.
Did you do any on-camera work?
Do you have any fan letters from the 1970s or 1980s?
No. I still get letters of questionable intent—a fan from somewhere in Germany but sent from Ohio writing about some obscure vocal appearance on “yabba dabba doo”—what was that dog’s name?
Yes, Scooby-Doo. It’s a kind of scam to get my autographs.
Do you still have any of your SF scripts?
No. Good heavens.
What are you doing these days?
I’m rewriting a musical with some friends that I’d written years ago. Up until  I did six years of promos for the Minnesota Twins.
How close on completing the musical?
Not very close, I’m afraid.
If you have children/grandchildren, how old?
Three grown sons. No grandchildren.
And if so, have any followed your lead and gone into entertainment?
No. They all had a brief go at it and said that’s it.
Do you have the Super Friends DVDs?
No, I don’t.
Has anyone else interviewed you about SF?
Have you ever participated (i.e. signed autographs) at a comic convention? If not, would you be willing to (if the convention paid your way)?
Anything else about the experience I didn’t cover that you’d like to add?
It’s not about Super Friends but the highlight of my recording life was The Winds of War and War and Remembrance. I’m very proud of that job. It occurs to me when you were saying about the influence…I got a lot of work [thanks to] the opening of The Odd Couple.
How aware are you of the influence that SF had on the current generation of comic book writers?
I don’t know of any impact. I don’t see many cartoons these days.
[I told him the impact]
That’s very interesting. Thank you for telling me that.
Next: Shannon Farnon (Wonder Woman 1).