Sunday, April 13, 2014

Publishing worlds collide and create "Iggy Loomis"

In 2010, my book Vocabulary Cartoon of the Day (grades 2-3), illustrated by Mike Moran (whom I have still not met), came out. 


In 2012, my author friend Jennifer Allison (whose son portrayed Superman co-creator Jerry Siegel for a school project) asked for recommendations for good cartoonists.

I suggested Mike.

And he was the one hired to illustrate Jennifer’s 2013 book Iggy Loomis, Superkid in Training.



I love when this happens!

(It’s the first time this has happened.)

(For me, anyway.)

Good luck with Iggy, Jennifer and Mike!

Thursday, April 10, 2014

Those who work, those who take credit

On the Barnes & Noble in Bethesda, MD is a quotation that could have been the subtitle for Bill the Boy Wonder: The Secret Co-Creator of Batman. (What? The one I ended up using is long, too.)



Wednesday, April 9, 2014

"Boys of Steel" signed by Siegels and Shusters

My friend Jamie Reigle is one of the world’s foremost collectors and purveyors of Superman memorabilia. I’ve mentioned him here before, and not only because he so kindly distributed hundreds (of the tens of thousands) of Boys of Steel: The Creators of Superman postcards over the years.

There were a lot:

 

In the summer of 2013, among the tributes acknowledging the 75th anniversary of Superman, the Cleveland Jewish News produced a special commemorative section; Jamie was profiled.

Mentioned and pictured: the page proofs of Boys of Steel signed by as many members of the Siegel and Shuster families as Jamie could round up.



His sons are named Kalel and Lex. I trust Jamie has a plan to prevent young Lex from using his genius for evil…and I know I’m not the first to make that joke.

Monday, April 7, 2014

Granddaughter of Wonder Woman's creator - her first interview

After a talk I gave at a Virginia elementary school in 11/13, one of the teachers, Nancy Wykoff, introduced herself...as the granddaughter of William Moulton Marston, the creator of Wonder Woman.

Naturally I asked to interview her. Luckily she said yes. (Photos may be forthcoming.)

Your grandfather died in 1947 so I presume you never met him?

No, I never met my grandfather.

According to family who knew him, what kind of person was he?

My grandfather was a kind man. He was brilliant. Very bright. He not only created Wonder Woman, but he created the first lie detector. He loved his children and he loved women!

Any funny stories about him? In particular any funny Wonder Woman-related stories?

He died when my dad was 13 so most of the stories came from my grandmother. Stories say that he modeled Wonder Woman after Elizabeth Marston but my grandmother, Olive Richard, claims that Wonder Woman was designed after her. If you ever see a picture of the two ladies, you would see that indeed Wonder Woman was designed after my grandmother. 

Bill Marston had four children with two different women. All the children, three boys and one girl, have Marston as their last name. My grandmother Olive met Bill when she was 19. Bill came home to his wife, Elizabeth Marston, and asked if Olive could come live with them. Elizabeth agreed. Olive was the homemaker and Elizabeth was an attorney for Met Life.


After Bill died, the women raised the kids together and continued to live together until their death. The children were well educated, Andover Prep School and Harvard. My dad was an attorney and Byrne was a doctor. The two children from Elizabeth, Pete and Olive Ann, I am not as close to. Pete and O.A. are still living and live in Connecticut. I am very close to my Uncle Byrne. We see him and his family quite often. He lives in Florida. My dad [came] to Washington D.C. to attend law school, moved to Arlington, Virginia, and I am still here!

Do you know what inspired him to create Wonder Woman?

Bill Marston said that he wanted a superhero that females could identify with. The few that were around then were characters that boys idolized or wanted to be, so he wanted to have a woman superhero. As you can tell, Bill loved women! He certainly created a well-shaped female!

Do you know about any controversy he had to deal with surrounding Wonder Woman?

I don't know if there was any controversy...

Do you what his opinion of Wonder Woman was?

I think he wanted WW to be a female who was strong, self-sufficient, and could help solve the world's problems. She used her lasso to get people to tell the truth (hence the lie detector connection), flew around in her invisible plane, and helped fight crime. What is not to love about that? She came from Amazonia, a land of strong women, goddesses... Remember Bill loved women. Fantasy, strong women, shapely...Wonder Woman.

Is Wonder Woman mentioned on his gravestone? 

I am not sure. My dad spent many years of his life being angry at his father. Since there were two women living in his house, neighbors and peers often teased him about being a "bastard child" of Bill Marston. My dad was really confused and pissed off. I have never been to my grandfather’s grave. To be honest, I am not sure where he was buried. I think New York. That is where they were living when Bill died. I will have to find that out for you.

What is the oldest piece of Wonder Woman memorabilia you own?

We own a few of the first sketches for the first comic Wonder Woman. We have the original script for the first comic and we have the first comic book published. We even have the first lie detector! I know, it should be in the Smithsonian or someplace like that!

I understand that your family still owns Wonder Woman. Does that mean that DC Comics needs the family's approval for all Wonder Woman stories and products?

Yes, they need family approval before any decisions are made.

Have you been interviewed before about this?

Never!

Do you pay attention to the narrative changes DC has made to the character?

We wish they would go back to the kinder, gentler WW. I am not thrilled with the new look.

Who would you like to see play Wonder Woman in a movie? [NOTE: Question asked before Gal Godot was cast for the 2016 Superman/Batman movie...but no matter, she will not be the last actress to portray Wonder Woman.]

I liked Jessica Biel. They also had another choice, a woman from Mexico, I think. She was a good choice. I think he character needs to be young to attract the young girl audience. Too old and you lose that. I can't tell you how many kids at my school have WW stuff. The girls love her!

Were you ever Wonder Woman for Halloween?

Yes! So was my daughter!

What do the kids in the family think of the family's connection to Wonder Woman?

They think it is awesome! They so want a movie to be made. They think it isn't fair that Batman and Superman have had so many movies already. When they tell friends that their great grandfather created WW, most friends don't believe them!

On a side note, my great grandmother is Margaret Sanger. When the kids mention her, then there is total doubt! That is what used to happen to me when I was younger. My friends would say, “There is no way your dad's dad created WW and your great-grandmother started Planned Parenthood!” It is true! 

My son's middle name is Marston and my daughter's middle name is Sanger…so it continues... :)


A stage play about Marston.

Saturday, April 5, 2014

Who goes by their initials

A review recently in for Bill the Boy Wonder: The Creator of Batman contains some choice comments:

MTN (all the cool people go by their initials, RDJ, JGL, JCP) writes the book in a large picture book format seemingly gearing it towards younger children yet it’s mood, story and historical content will appeal to much older readers.

[Nobleman] and Templeton (or TT)…are simply trying to right a wrong done to a humble, creative genius of a storyteller. There is hope in this tale. Perhaps by aiming to a young audience and appealing to the adult fans, the story of unsung heroes like Finger will inspire others to stand up for the silent ones.

I was surprisingly moved despite the children’s book style and format. You may have passed on it because of that but you should really check it out. Nobleman is very passionate about this and it comes through in his story. Templeton is an inspired choice as illustrator. I’m recommending this as a buy. Not just a buy but also a give. Yes, give this book to a casual fan.

By the way, I had to look up those initials.

Robert Downey, Jr.

Joseph Gordon-Levitt.

Have No Idea.

Friday, April 4, 2014

Meet Athena Finger, grandaughter of Bill

Today, Bill Finger’s lone grandchild, Athena Finger, makes her first appearance at a comic convention, in St. Louis. In Bill’s entire career, he appeared for certain at one con and possibly one more. Athena will overtake him before the year is out.


Here is the bio I helped her whip up for her primetime debut:

Athena Finger knew all along that she was the lone grandchild of Bill Finger, co-creator and original writer of Batman…it was Batman fans who didn’t know. Born two years after Bill died, Athena never met her grandfather, but heard about him from her father Fred. When Athena got married, she kept her maiden name out of respect for the man who gave life not only to her (indirectly) but also to the world’s most popular superhero. Since Marc Tyler Nobleman, author of Bill the Boy Wonder, found out about Athena in 2007, she has slowly made her presence known to comicdom. She lives in Florida with her son Ben and teaches math at Broward College.

Wednesday, April 2, 2014

Bill Finger app

Friends and I got to talking and I mentioned I plan to develop apps based on a few of my books. One friend, Sara, said, “Bill Finger?”

We then collaborated on the idea for such an app: open the app and walk by any comic containing any Batman story and it will tell you if that Batman story was written by Bill Finger.

Monday, March 31, 2014

The Big Bang Query

In March 2013, during the Q&A after an educators conference in Georgia, a huge fan of The Big Bang Theory suggested I send a copy of each book to the show. 


Though I don’t watch it (heresy!), I know it regularly references superheroes. I didnt see what the producers might do with my books...yet this audience member kept kindly suggesting (almost insisting), and eventually I was convinced.

What did I want from this? Well, this woman seemed to think the true stories in these books could inspire a storyline on the show. I felt that is probably unlikely, but I am a never-hurts-to-try guy. In any case, I
d be thrilled if either or both could be added to the set, even if for just a scene. I believe they are the kinds of books the characters would own...


On Facebook, I asked if anyone in my network has a connection to anyone connected to the show, and within minutes, I heard from a friend who is friends with Kaley Cuoco’s makeup artist. She happened to be supremely nice, and offered to pass along my books, so I sent them to her. Every time I followed up, she was equally nice and complimentary.

As of now, nothing has come of it. But you can’t predict a big bang…

Sunday, March 30, 2014

Interview with co-author of Bob Kane’s autobiography

According to the official Warner Bros. release kicking off the 75th anniversary of Batman, he debuted (via Detective Comics #27) on March 30, 1939. 

Also of note in that release: no use of the word “creator.”

In 1989, coinciding with Tim Burton’s Batman, Bob Kane’s autobiography came out.


But as with most of the output Bob’s name is on, he did not create it alone. His co-author was Thomas Andrae, who through my Bill Finger research became a friend.



Though I’ve known for a while how important Tom is to Bill’s legacy, given what he’d told me about how he’d persuaded Bob to include Bill in the book as much as possible, I only recently realized that this story-behind-the-story should be documented. In my eyes, what Tom did on Bill’s behalf was heroic.

Interview answers © Thomas Andrae 2014.

How did you come to co-author Bob Kane’s autobiography Batman & Me?

I had done an interview with Jerry Siegel and Joe Shuster in 1981. It was reprinted in the Overstreet Price Guide in 1988, in celebration of Superman’s fiftieth anniversary. I thought it might be a good idea to follow this up with an interview with Bob Kane for Batman’s fiftieth anniversary in the 1989 Price Guide, so I contacted Bob and he was amenable to the project.
 

When I went down to interview Bob, he told me that he had written his autobiography. [It was] a very long manuscript (about 800 pages) that wasn’t publishable. It was too self-centered according to those of us who read it. There were far too many uses of “I” in it, for example.

[But] I...thought, in the interest of comics history, the manuscript should be published, [so I] offered to find a publisher.

What was your job/primary work focus at the time?

I was a graduate student and working for Bruce Hamilton at Another Rainbow Publishing as an editor of the Carl Barks Library 30-volume set of his works. 


 Carl Barks and Tom Andrae

Had you met Bob before you began the book?

This was the first time I contacted him.

What was your first impression of Bob?

He was a very charming guy and quite friendly. Bruce Hamilton and I went down to L.A. together to meet him. After the inteview, we went out to dinner with him and his wife Elizabeth.

Did you meet with him in person to discuss/write the book? If so, how often and where? If not, how did you work together?

I didn’t meet with him again in person. We had many phone discussions and some correspondence for about a year or more while working on the book and when we were producing and marketing it. In this period I got to know Bob quite well, and he seemed fairly open about his life, up to a point. I felt that we were friends.
 

I edited [the book], took out some chapters, and created a number of new chapters based on interviews with him and on my own research. All in all I probably wrote close to half the book in this manner. 

Did your impression of him change during the process?

Yes. He had a tremendous ego, although he was very insecure. I asked for a byline and got one. He pretty much had to do this: I was supposed to get the manuscript into publishable shape—which was quite a task. I was responsible for not only rewriting the book but for advertising it, formatting it, and getting a publisher for it.

But he told the publisher that my byline was too big so they reduced its size. From what I gather from others who had worked with Bob, I think that I was lucky to receive a byline at all. It may have been a first.

How was he to work with?

Pretty easy, but he could be temperamental. When Bob Overstreet decided to go with a Jerry Robinson cover rather than one by Bob, [Bob] threatened to nix the publication of the interview. I convinced him otherwise, because we were taking orders for the book in an ad in the Price Guide and it would have sabotaged the book project to kill printing the interview.

No one wanted to publish his bio until I asked Eclipse to do it. I got the idea to take out a pre-publication ad for the book that appeared in the 1989
Price Guide. We received 1,500 orders; that proved it was a viable project and helped get a publisher for it. I did all the work in this initial stage of order-taking.

Do you remember how the subject of Bill Finger first came up during the process?

Yes. Bob felt guilty about how he had treated Bill, although he was afraid to acknowledge Bill as co-creator of Batman, or to give him a byline, for fear it might open the door to a challenge to Bob’s legal status as the sole creator of Batman. He feared a [Finger] byline would quite negatively impact his Batman royalties.

What was Bob’s reaction when you suggested including Bill?

It was Bob’s idea to give Bill some credit for having invented aspects of the costume and for creating the Joker. But Bob also claimed he co-created many of the villains since he, Bill, and Jerry discussed everything before it was published and Bob drew the art for the stories with the characters.

But Bob was mistaken about who created what, such as the Penquin or Catwoman, which were Bill’s creations, and Jerry did much of the art as well, with Bob and sometimes without him. In general, Bob failed to give Bill credit for creating most of Batman’s villains, claiming that he created them. Bob’s memory was not very good. Also, he was willing to go only so far in giving Bill credit.

I tried to add more about Bill’s contributions in creating the initial concept and image of Batman, but Bob refused to include them, claiming that he, not Bill, was the creator of Batman, which was a gross exaggeration.

Did Bob express—or did you glean—his personal feeling about Bill Finger?

I think he liked Bill and genuinely felt guilty about how he had treated him and how Bill ended up in near poverty when he died. Bob confessed that his ego prevented him from giving Bill the credit he deserved. But his attempt to remedy this was, in my mind, quite, quite inadequate. Also, he never gave others, like Shelly Moldoff, who was his ghost artist for twenty years, any credit, nor Jerry Robinson for his creation of the Joker. Bob expressed a lot of anger towards Jerry, stemming, I think, from being jealous of him, of his artistic ability, and of the recognition that he had received.

When you say “Bob confessed that his ego prevented him from giving Bill the credit he deserved,” what do you mean exactly—that Bob was willing to say in print that Bill’s name deserves to be on Batman (as the book does) but not go so far as to ask DC to officially change the credit line?

I think he meant that he should have put Bill’s name on the Batman strip when it appeared. But the point is moot because I don’t think he would ever put Bill’s name on Batman. He never gave byline credit to any of his ghosts.

What do you remember about the passage that stands out most to me: “Now that my long-time friend and collaborator is gone, I must admit that Bill never received the fame and recognition he deserved. He was an unsung hero ... I often tell my wife, if I could go back fifteen years, before he died, I would like to say ‘I’ll put your name on it now. You deserve it.’” How did Bob feel to include that—nervous? Conflicted? Redeemed? Other?

I believe that Bob sincerely felt some remorse about how he had treated Bill. He describes his spiritual conversion in Batman & Me. But Bob never felt guilty enough, in my estimation, or realized the full extent of Bill’s contribution. Bob was asked to give Bill credit as co-creator by the Finger estate when the first Batman feature film was in production and he declined.

Have you seen my account of this? If so, do you remember any other details that I didn’t cover?

I’m reporting what Bob told me about his decision in a conversation with him. I don’t think you covered this.

How did you feel convincing Bob to include more Bill?

I felt that it was a slight victory in correcting a massive injustice, but too little too late.

Did you talk with Bob’s wife Elizabeth during the process? If so, how was that/she?

She was a very nice, sweet person, but knew little about Bob’s work, so we didn’t talk about the book.

Do you know what her reaction was when Bob would tell her that he felt Bill deserved credit for Batman? Perhaps first I should ask if you believe he actually did tell her that?

Yes, he did, but I don’t know what her reaction was.

Do you remember if you asked Bob if he would consider recasting his contract with DC Comics to reflect his statement about Bill? If so, what was his response?

He was not amenable to this and told me so. 

How honest do you feel Bob was in recounting stories?

I think he was fairly honest but too self-centered to see reality clearly enough and had a bad memory to boot. His ego was always in the way. He primarily remembered what he did on Batman—and that was usually inflated—rather than others’ contributions. I constantly had to fact-check what he told me because he had a predisposition to aggrandize his work on Batman.

What was the media response to the book?

We got some favorable media attention, but not going on The Tonight Show like Bob thought would happen.

What was Bob’s feeling about the final product? Do you think it got the recognition he wanted? Do you think he did not get anything he wanted from it?

He liked the book very much and frequently carried it around with him when he went on public appearances. But he was a little disgruntled that I cut out some of his nostalgic asides. He was a garrulous writer. No one would publish it until I asked Dean Mulanney and Cat Yronwode to do it. I designed four editions including a signed edition with Bob’s original art that sold very well. I think Bob made over $200,000 on the book plus more on the second edition

Professionally, what did the book do for your career?

Nothing in academia but I got some credibility among fans and the popular press.

Is there anything about the book you would now change if you could?

Give full credit to Bill as Batman’s co-creator and give him a byline indicating that, and give full credit to Jerry Robinson and the other artists who did much of the work that Bob got credit for. I would have liked Bob to publicly acknowledge Jerry as the Joker’s creator and Shelly Moldoff as the chief artist on Batman for the decades that he drew the strip.

Were you involved with the “sequel,” Batman & Me: The Saga Continues? If so, how was that process compared to working on the first autobiography?

Yes. I edited most of the new material; Bob took my name off the cover (though it’s still on the title page).

What do you think Bob Kane’s legacy is?

I think that Bob was responsible for creating the original germ of the idea of a Batman superhero, which Bill fleshed out and made viable, and for partially drawing the strip for a number of years. I think that Bob’s art, crude as it was, gave the strip an Expressionistic, nightmarish look which helped establish the gothic ambiance of the early stories. To me, the art he did with Jerry as his ghost was very compelling. Thus he made a great contribution to Batman’s legacy. Unfortunately his treatment of Bill, Jerry, and Shelly is a dishonorable part of that legacy.

Anything you’d like to add?

Thanks for giving me the opportunity to talk about my role in creating the book. This is the first time I’ve done so publicly.

Thursday, March 27, 2014

“New” photos of Mick Smiley of “Magic” (from “Ghostbusters”)

I was happy to receive an email from a Phil Z., the guitarist of a late 1970s band out of Hawaii called Hamlet. The band also featured Mick Smiley…before he became Mick Smiley. (I’m not at liberty to reveal his original name.)

You may not realize that you already know Mick—if you’ve seen Ghostbusters, that is. And who hasn’t?

Mick was the mind and voice behind a distinctive song from its soundtrack and one of the more hypnotic songs you’ll ever hear: “Magic.”

After years of having the pleasure of listening to that song, I had the privilege of interviewing Mick.

Phil mentioned a few songs by Mick’s follow up band—the Mick Smiley Band: “Hello There,” “Big Brown Eyes,” Oh Linda! 461-7264,” and “Room at the Top.”

“I remember being a youngster backstage between shows in the green room with Mick Smiley and Lou Reed,” Phil wrote. “It was such a cool time! I was just a kid.”

And who wasn’t?





at the Troubadour in Hollywood, 1979

Tuesday, March 25, 2014

The SAG Actors to Locate hotline

For years, the Screen Actors Guild ran a toll-free phone number called “Actors to Locate.”

Though designed for casting directors and journalists, in practice anyone could use it to request contact info for up to three film actors per call; no charge, no automated system (yes, a live person answered), no questions asked. (Of course, they would not give out personal phone numbers or addresses but rather, typically, the number of the actor’s agent or manager.)

Though the info on file was sometimes outdated, this service helped in my research for Bill the Boy Wonder: The Secret Co-Creator of Batman and particularly as I prepared my two big interview series to date: ‘70s and ‘80s superhero entertainers and music video ingénues.

In 2012, SAG merged with AFTRA (American Federation of Television and Radio Artists), and perhaps as part of that reorg, the Actors to Locate number went away, despite what this December 2013 screenshot from the SAG-AFTRA site indicates:



However, the service did not…it was reborn as a web-only feature (which is more efficient anyway).

But reborn with another change.

I was told that SAG-AFTRA would now give access to what they had renamed iActor only to casting directors or producers who are working with SAG-AFTRA projects and no longer to people seeking members for charitable organizations, personal appearances, speaking requests, interview requests, or modeling requests.

In other words, I was no longer eligible.

I called to ask if I could appeal. The person I reached kindly said she had heard from a number of people who fell outside the “casting directors and producers” category, many with what seemed to be valid reasons for wanting access to iActor. She suggested I plead my case in writing and she’d submit it—with others—to the decision makers.

This is what I submitted:

I’m the author of more than 70 books including Boys of Steel: The Creators of Superman. My work has been covered by The Hollywood Reporter, NPR’s All Things Considered, The Today Show, USA Today, Forbes, NBC, ABC, PBS, MTV, Yahoo; two of my books inspired a TED talk.

I often profile former actors who have long been out of the spotlight yet are still fondly remembered by fans, the kind of people who have never been interviewed before and are, in most cases, thrilled and honored that someone took the time and effort to track them down. In doing so, I have been able to help some of these inactive performers receive royalties that had been accumulating for them but which could not be sent because SAG/etc. did not have their current contact info and did not have luck finding them.

Whenever combining whatever info SAG had with my own detective work has led to success, I direct the talent back to SAG to update their record. Sometimes once they are “found,” they then are hired to appear at conventions for which they are paid. They are very grateful.

Among the people I found and directed to update their SAG record:


Examples of my work in which SAG is invaluable:


Creating such content is hard enough as it is, and even harder without access to agents/managers (though many of these people no longer have agents).

Such features benefit all involved, both emotionally and financially—it gives former performers a chance to discover they have fans (and often royalties) and gives fans original, hard-to-come-by interviews/content. It seems to me that this is one beneficial application of the iActor service.

For these reasons, I am hoping to appeal and get access to iActor just as I had to Actors to Locate. I hope it is clear that I don’t abuse the privilege; I use it to help and showcase others.

Thank you for your time. I look forward to your response.

It worked.

I was granted access.

And so the intermittent Hollywood-related research continues.

Monday, March 24, 2014

Noirish tributes to Bill Finger's most iconic creations

Courtesy of the thorough and tireless and stylish Bill Finger Appreciation Group:

 Batman

Robin (Dick Grayson)

 Green Lantern (Alan Scott)

Joker

 Catwoman 


Penguin

 Commissioner James Gordon


Lana Lang


Riddler

Wildcat

Bat-Mite

Catman

A profile now recognizable among Batman fans

Sunday, March 23, 2014

Saturday, March 22, 2014

An igloo and disco ball in Charlottesville, VA



On 3/20-21/14, I had the privilege of speaking at four schools in lovely Charlottesville, VA:

  • Stone-Robinson Elementary
  • Baker-Butler Elementary
  • Agnor-Hurt Elementary
  • Sutherland Middle

This school district obviously has a thing for hyphens.

And flair.

Baker-Butler had on display an actual size igloo ingeniously made by librarian Anita Mays and a partner…out of empty milk containers.




They followed the procedure as described in the 1981 book propped up on the black cube (only subbing gallon jugs for snow bricks). They also turned the installation into a teaching moment, as seen by the question posed on the whiteboard.

Speaking of ingenious, Baker-Butler also showcased a 2nd grade art project involving two notable artists. This is one mashup I’d not seen before, and I think it’s wonderful.



Sutherland was holding a school event immediately following my afternoon presentation. Spot the clue:



Answer:

You can tell by the way I use my walk 
Im in middle school
No time to talk

Thank you to the four librarians who hosted me, and to the Virginia Festival of the Book for arranging the visits.

Wednesday, March 19, 2014

Clark Kent’s grandson


On 2/24/14, I had the honor of presenting at Gregory-Portland Intermediate School in Portland, TX (near Corpus Christi) for the second year in a row

Another round of thanks to Cati (first syllable rhymes with “cat,” not “Kate”) Partridge for inviting me to speak with her students.

As before, the school (particularly library aide Cindy) created award-worthy displays to welcome me:



Prop pay phone! 

(I told Cati that there is no pressure to outdo themselves each time!)

And I had another honor this trip: I got to meet the genuine and articulate Ron Dennis, who is a friend of Cati’s and who is the grandson of Walter Dennis…who is a possible visual inspiration for Clark Kent.

I’d forgotten that I already knew of Walter; he is mentioned (and pictured!) in Superman: The Complete History.


Superman: The Complete History by Les Daniels

Superman: The Complete History, page 19

Ron was kind to answer some questions:

In a sentence, what is your connection to Superman?

My grandfather Walt Dennis’s image was used by the creators of Superman when drawing Clark Kent.

How did your grandfather meet Jerry Siegel and Joe Shuster (or was it just Joe)?

My grandfather met Jerry Siegel and Joe Shuster through a science fiction club.

Did they meet in person or was all contact through the mail?

It is my understanding that Walt, Jerry, Joe and others were members in the science fiction club and the members would share ideas and stories with each other by mail.

Where did your grandfather live when he was communicating with Joe?

Walt was living in Chicago when they initially interacted. After a period of time, Walt moved to Denver and maintained the relationship by mail.

What did he do for a living?

Walt was a newspaper man and worked at several different newspapers around the country. He was a writer most of his career. Later in life, he ran a small regional newspaper called the Hinton Record in Oklahoma with my father, Larry Dennis.

When did he become aware that he was a possible visual inspiration for Clark Kent?

Walt was in Denver when Joe told Walt about the Superman concept and inquired whether it was okay for Joe to use Walt’s likeness when drawing Clark Kent.

Do you know how long he remained in touch with Joe and/or Jerry?

Not really, but my impression was that Walt and Joe and Jerry did not maintain a close relationship after Walt moved to Denver.

Did he remain a science fiction fan throughout his life?

Absolutely. Walt was an avid reader and enjoyed all kinds of stories, but he particularly liked science fiction and crime stories.

When and how did you learn of his connection to Superman?

Walt personally told me and my wife Jeaneal the story a couple of times when we went to visit him while he was living in Tulsa, OK.

Did you believe him right away?

Yes. Walt was very matter of fact about the details.

What was his manner when telling you—did he seem proud, frustrated, indifferent, other?

I would say Walt was proud of the story. However, he was also very adamant that he was not the inspiration for Superman and he was quick to clarify that it was simply his likeness that was used as the model inspiration for Clark Kent.

Why do you think he (or your father) did not mention it until then?

My mother and father divorced when I was three years old and the separation made it so that I did not have a close relationship with either my father or grandfather most of the time. When I visited Walt in Tulsa late in his life, the opportunity and time to share the story materialized.

Before this, did you have any special affinity for Superman?

I did not really read or collect comic books as a child. Like many people, however, I was very impressed with seeing Christopher Reeve as Superman on the big screen.

Did your father also look like Clark Kent?

Yeah, my father was also a newspaper man and he looked very similar to Walt as a young man.

Did people ever say you looked like Clark Kent?

Yes, I heard that comment many times when I was in my twenties and thirties.

When did your grandfather pass away? Did his obituary mention Superman?

I am not entirely certain when Walt passed away, but I recall it being sometime around 2003. I do not think his obituary said anything about Superman or Clark Kent.

Any stories any other family members have about this?

Walt told this story to various family members at different times throughout his life. For instance, his daughter, Diana Midland, recalls hearing the story for the first time around 1952 or so. My oldest brother, Robert Dennis, recalls first hearing about Walt’s connection to Clark Kent when he was about 15 years old. When Robert was a young child, Walt passed on his love of comic books and reading to him.

Anything you'd like to add?

Walt was a kind, quiet and intellectual man. He had a very guarded but loving personality. He very much enjoyed playing golf.


me with Clark Kent

me with Superman

Tuesday, March 18, 2014

Author AWOL

I’ve published about 75 books and my name is properly on the cover of about 73 of them.

In my first years as an author, I wrote quite a few work-for-hire books. Educational publishers would develop a series (on, say, animals or countries) and divvy up the titles among multiple writers. They’d email me a list of the available topics and I’d choose the ones that most appealed, but often, the overarching subject was not a particular passion. It was a chance to get paid to write, which was closer to my goal than getting paid to do something in an office.

Authors do not tend to read work-for-hire contracts as carefully as contracts in which we will be retaining ownership rights. Therefore, I did not know that I was agreeing to an undesirable credit situation until the book came out…and this happened two times.

The first instance was with a book published in 2005. I wrote a humorous yet practical guide called How to Do a Belly Flop, which was a companion to a book that I was not involved in, How to Give a Wedgie.

 
Did anyone not write this book?

One of the authors of Wedgie was David Borgenicht, who also co-authored the massively successful Worst-Case Scenario Survival Handbook series. So the publishers of Belly Flop wanted to take marketing advantage of that name (and his brother’s, who apparently co-authored Wedgie).

I understand it. I just didn’t like being blindsided with not one but two names under mine on the cover of a book I wrote all by myself. But unlike Bill Finger, I was at least able to say that my name was there.

The second instance was with two short novels published in 2009:




This case was a bit more galling because the name plastered on the cover was not even a real person. “Jake Maddox” was a pseudonym created for a large set of sports and adventure novels (written by various authors) so they would be shelved together.

My name is on the title page of these two books, but the wording rankled me. 



It doesn’t say “story by” but rather “text by,” which sounds mechanical, not creative. I realize the editor was trying to distinguish from the implied “written by,” but it sounds like I was the guy who typed in someone else’s words. As with Belly Flop, at least I am credited, but I wonder how young readers make sense of seeing both the mysterious Maddox and my name on the title page.

And now as I recount this, I’m vaguely remembering that the contracts for these two books actually may not have stated the possibility of assigning credit elsewhere, meaning even if I read them, I’d have been surprised when the books came out…but since I no longer have my copies of the contracts, I can’t doublecheck.
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